Stegner and Home

It made sense that I finished this year's "beach book" just hours before firing up the work computer.  It made sense, though it made for less than 40 winks. That's the way it is — or can be, when the book is good enough. 

In this one, it was almost as if I could see Stegner coming into his own as a writer from the beginning of this 562-page saga to the end. The Big Rock Candy Mountain was Stegner's second published novel and an autobiographical gem that becomes wiser and stronger as the writer (and the characters) mature. 

I've always loved Stegner's depiction of the American West, his love for the landscape and the way he grapples with the nature of home. And here I could see this in full flower: 

It was a grand country, a country to lift the blood, and he was going home across its wind-kissed miles with the sun on him and the cornfields steaming under the first summer heat and the first bugs immolating themselves against his windshield. But going home where? he said. Where do I belong in this?

...Where is home? he said. It isn't where your family comes from, and it isn't where you were born, unless you have been lucky enough to live in one place all your life. Home is where you hang your hat. (He had never owned a hat.) Or home is where you spent your childhood, the good years when waking every morning was an excitement, when the round of the day could always produce something to fill your mind, tear your emotions, excite your wonder or awe or delight. Is home that, or is it the place where the people you love live, or the place where you have buried your dead, or the place where you want to be buried yourself? 

...To have that rush of sentimental loyalty at the sound of a name, to love and know a single place ... Those were the things that not only his family, but thousands of Americans had missed. The whole nation had been footloose too long, Heaven had been just over the next range for too many generations.