Inheriting the Sun

It took a poison ivy search to bring them to light, a careful combing of the backyard in preparation for a children's party here this weekend. At first I didn't know what they were, saw only the fallen petals, tiny blossoms in the grass.

Then I looked up, saw the bent boughs of the crepe myrtle shining in the sun. It's my $2 tree, one of the stock I purchased from the Arbor Day Foundation years ago and planted without much hope. It's 20 feet tall ... and it's blooming. 

Vibrant pink flowers are weighing down the spindly top of the unpruned tree, blooming earlier than the other crepe myrtles in the yard, which are, unfortunately, planted in the shade. 

But this little guy inherited the sun, grabbed the rays when the big oaks came down. He is reaping the harvest. We all are.

Shades of Green

How many shades of green do I see in a day at the beach. There is the dark forest of the mangrove, its roots in water, clustered in wet spots along the road. 

There is the purplish-green of the sea grape, its leaves catching light, making tunnels of shade as I exit the strand.

There is the striated green of the palmetto, wagging in the wind. 

And sometimes, in the morning, there is the green of the sea.

Aloft

Wind whips the leaves off the witch hazel tree, sets them spinning down into a pile of gold. 

Wind bends the tulip poplar and the bamboo, which is taking bows outside my office window.

Wind sets the jets on an alternate course, sends them scudding, like the clouds, over this house. 

Trees, planes, clouds — may all that belongs aloft ... stay that way. 

The Zucchini

The world is in turmoil. Winter is right around the corner. Time for some positivity, which comes today in the form of a vegetable.

I've mourned the trees as they've fallen. Now to celebrate the sunniness that has come in their wake.

There's no better proof of this than the plump zucchini that managed to thrive in the back garden. In fact, it became so large that the only palatable way to eat it will be grated in bread or pancakes.

Still, this is a milestone. I'm not yet rushing out to plant a vegetable garden, but I'll begin to think of the backyard not as a shady place ... but as a sunny one.

Rosy Glow

There are stands of ancient hemlocks in New Germany State Park, an oasis of green trails and lofty heights. A cathedral of a forest.

And then... there are the streams, and the late day sunlight slanting on them.

In some spots the light struck the creek at such an angle that it gave the water a strange, rosy glow, as if it were blushing or bleeding. As if it were lit from within.

Soon-to-be-Gone

Sometimes I feel like a documentarian. My subject: the felling of trees in my neighborhood. This is not a job I sought or welcomed, but when the giants go, I want to record their passing. After all, they have shaded us for decades, have been beautifying this place for a century or more. Some of them are over 100 feet tall, and I treasure them.

The one meeting its maker today is visible from my office window. I write this post to the sound of chainsaw and wood grinder. The tree is healthy, but its owner fears it might fall on his house. And who can blame him, since a tree fell on the house of his neighbors and damaged it so mightily that they had to move out for months. 

It's a little like shuttling old folks to the assisted living center earlier rather than later. Prophylactic placement, or in this sense prophylactic felling. All I know is, once again I'm recording the soon-to-be-gone.

Lumber and Mulch

After rhapsodizing yesterday about tree tunnels and way stations, I learned that one of these shady spots had a defector. Another giant fallen. This on a cloudless, breezeless day, not long after I walked by.

I'm not surprised at the toppling. The tree (I'm trying to identify it from its leaves — maybe a cottonwood?) had been leaning for years, and had reached such a precipitous angle that it was only a matter of time before gravity got the better of it.

The trees in my neighborhood can be 80 to 100 feet tall. When one comes down, it can smash a roof or block the street. In this case, since it happened only a few feet before an intersection, it effectively shut down access to the outside world. 

Help was soon on the way. Before you could shout "timber" the thick trunk was chainsawed and pulled out of the way. But this tall, shade-producer, leaning and bent though it was, had become a companion on my walks, a landmark of sorts. Now it's only lumber and mulch. 

What We Saw in It

One of the tall old trees we lost last year was a prime display tree, the perfect reflector for the fading light of sunset. During numerous deck dinners through the years, our oldest daughter would stop the conversation, point to this particular oak, and say "look at the light on that tree."

Its cousins might have been dark and nondescript at this point in the early evening, but this tree's spot in the yard was perfectly calibrated for late-day light; it looked as if it was lit up from within. 

The play of light on its trunk is one of the lingering losses from that oaks' felling last September. More than the tree itself, I miss what we saw in it. Aren't many losses like that?

Magnificent Forest

"You are entering a fragile, ancient forest," the sign read. "Please stay on the trail." So we entered the woods with reverence, walked quietly along the path, and guessed the age of the towering trees. 

To be old growth, a forest must contain trees more than 250 years old. Seattle's Seward Park has them, though many of its specimens are "only" in the 200-year range.  But the Western Hemlocks are dying, the sword fern too.

How to protect them, to understand and prevent their demise? How to keep this "Magnificent Forest," as it's called, as dark, mysterious and magical as it is now? Researchers are working on it. And yesterday, we did our part: we looked, we marveled, we stayed on the trail. 

Kwanzan Up Close

The Kwanzan cherry had barely begun to leaf this time last week. But the warm temperatures of early April have sent it into overdrive. 

I'm spending some time this morning just looking at the tree, observing how the big-fisted flowers bend its branches to earth. 

The Kwanzan is not as ethereal as the Yoshino cherry, which typically blooms a few weeks earlier. It's an earthier, later blossom.  It's best photographed up close, I think, against a bright blue sky.

The Volunteer

Loveliest of trees, the cherry now

Is hung with bloom along the bough.

I don't have many lines of poetry at my fingertips, but for some reason, I have these by A. E. Housman. Today, I'm thinking about — and looking at — the pale pink weeping cherry in the backyard.

It wasn't planted, and I wasn't even aware of it until we almost lost it in the great tree debacle of 2018. But it must have been there, growing slowly and a bit crookedly, trying to reach the light through a thick canopy.  

But now the yard is open, tree coverage is sparse, and the delicate plants, including this earnest volunteer, have a chance to shine. 

Such is the life cycle of a forest, even when the forest is in a backyard.

(This volunteer may be kin to another I wrote about several years ago.)

Deadwood

It's a cold, blustery day. The cardinals and sparrows that usually throng the feeder are tucked away in roosts and thickets. I can imagine them puffing up their feathers against the bitter winds. 

I have my eye on an errant limb dangling from a white oak by the fence. It seems to be attached to nothing from my vantage point (a second floor window), but must be be hung up on a branch at least 70 feet above the ground. I just hope that, when it falls, it doesn't take out part of the fence. 

The small forest that used to grace the back of the backyard is now a few paltry trees. But because they are paltry they are precious. Even care and pruning can't stop the deadwood from falling, though. It's what deadwood does. 

Up in the Air

The crane seems like a stunt double from The War of the Worlds, a 100-plus-foot behemoth that takes up most of our suburban lane. It was brought in as reinforcement when two men and a chainsaw were unable to complete the removal of dead limbs from a lopsided oak last week. 

In a move that has gotten our carbon footprint off to a bad start for the new year, I'm afraid, the crane and two other large vehicles pulled up to the house early this morning. After 30 minutes of waiting for the crew to assemble, the real show began, duly recorded for two-year-old Isaiah. 

First, the crane operator slowly raised the contraption's arm, extending it high before swinging it over the neighbor's house to reach the troublesome tree. Next, in an act of derring-do seldom seen outside a circus, one of the guys who had been calmly putting on gear was hoisted up into the air. 

He hung suspended for what seemed like hours but was only a minute or two before reaching the tree, chainsaw swinging from his belt. A few minutes later, he was joined by another acrobat. Together they've been slicing the deadwood away from this (knock on wood) still-viable oak.

I write this post from the basement, the only sensible place to be. I can hear the grinder machine whirring. Most of the branches are down, I think. The show is almost over. 

(I generally prefer horizontal shots, but this post cried out for a vertical.)

Wreathed in Fog

A soft fog last night as I drove to a meeting. A fog that made the lighted trees and homes send halo-like rainbows into the gloom. 

Our house is finally among the decorated, with candles in the windows and lights along the roof and a big old wreath that I bought as a splurge because it smells so much nicer than the artificial one — and also because it was made by Bradley's mother. 

That would be Bradley from Whitetop Mountain, Virginia, the same fellow we bought from last year. He apologized that the trees cost more this December and said he would "work with us" on the price. I bought the wreath to up the total. Bradley and his family could use it, I imagine. 

And now the wreath and the lights are shaking their fists at the darkness. In less than two weeks, the days start growing longer. 

Verticality

Walking through the woods lately has brought verticality to mind. Tree trunks stand unadorned. Without leaves to distract us, their upright posture is all the more stunning.

I feel dwarfed by the size and grandeur of these trees, by their bare beauty.

In winter, our eyes and minds are drawn to the essential nature of things. 

A Glow from Within

The most vivid tree in our yard is one we never planted. It's a volunteer, little more than a weed for years and now coming fully into its own. 

Especially at this time of year, when it seems to glow from within.

The poplars and oaks are bare now, even the Kwanzan cherry has dropped its golden leaves. 

But the Japanese maple flames on...

Leaf on Leaf

Yesterday's walk took me on the Reston trail that loops behind the church, a lofty forest and a most beauteous sight on a warm and breezy late fall morning. 

I paused several times to snap a photo, to catch an angle of light, a leaf in its falling. 

I noticed how tumbling leaves sometimes snag and catch, land on other leaves, which cup and protect them, as if to say, we'll keep you here another day, here on a branch and not on the ground. We'll keep you upright, limb-bound, a creature of air not yet of earth. 

The Harbinger

It's happened here, and no wonder. The recent rain and chill have probably driven them to it. Or maybe it wasn't the weather at all. Maybe it's just their time.

Whatever the reason, the dogwood leaves have begun their march to extinction, their lovely russety turning. And berries have formed, their brightness a contrast to the subdued tone of the leaves.

I look at the dogwood a lot these days, since Copper likes to stand near it while we're outside. And it has become for me a harbinger of another season, one of burnished brightness and long, still nights. 

Artist at Work

Today the tree guys arrive to remove yet another giant oak. This one is in the back of the yard, alongside the fence. It's not as dead as the two specimens felled last week, but is the most precarious of the bunch because it hangs over the neighbor's property and threatens his shed.

Carman heads this crew. To watch him climb and cut is to observe an artist at work. His art is destruction, true, but it's done with a flourish and a derring-do that puts even circus aerialists to shame. 

High in the treetops Carman manages rope and chain saw, deftly lassoing a 10-foot section of trunk, then sawing it off and (with assistance from the ground) lowering it down. To be hanging from the tree you're cutting down seems an impossibility, but I watched him do it last week, watched him calmly and methodically take down the oak section by section by section ... until it was gone. 

The Red Oak

Who knows when the great red oak was born, when the acorn that gave it life fell to the ground, found pliable soil, sent down roots? Decades, maybe 100 years or more, when second-growth forest filled in this land that once was farmed. 

I stepped into its history 33 years ago and found in its lofty shelter a stateliness and calm. It became, in fact, our signature tree, the one I think of first when I think of our house. 

It had been ailing for years, a fact I noticed with the same pit in the stomach I've had when running my tongue over an aching molar. But the measures we took — pruning, watering, fertilizing — did not save it. The ambrosia beetle, an opportunistic insect that moves in after years of drought and other stresses, killed it in a single season.

All summer I've been lamenting the tree's brittle boughs, its withered foliage. I've been dreading the moment that finally came. 

Now the red oak is felled, its great trunk piled around the yard, so much lumber. Soon the logs will be carted away, too. 

It's not the greatest loss I've ever sustained ... but it's a loss, just the same.