Farewell to Blogspot

On February 7, 2010, when I wrote the first Walker in the Suburbs post, I knew only that I wanted to share a few thoughts with the world. I had no idea if I could keep blogging until the end of the month. 

Now, almost 15 years later, it's time to move A Walker in the Suburbs to a new home. Truth to tell, it outgrew Blogspot long ago, but until now I've lacked the time and will to switch sites. 

Starting tomorrow, October 1, 2024, you can find A Walker in the Suburbs here. The content won't change, but the design is updated, and you'll be able to subscribe and comment.

Meanwhile, as I say goodbye to this platform, I think of all that's happened since it began, the writing I've done; the people who are gone and the ones who've just arrived; how our world has changed. 

How grateful I am to have this opportunity to connect with all of you, to share my love of walking and place. Thank you, as always, for reading. I hope you enjoy the new Walker in the Suburbs. 

A Day Without Rain

Yesterday, for the first time in days, we woke up to clear skies. I took a long walk then squeegeed off the glass-topped table on the deck, making a dry spot for alfresco research and writing. By late afternoon I was restless again, ready for another stroll. 

Such are the choices that await us on a day without rain, choices we haven't had for the last week or so. Not that I'm complaining, given what residents of Florida, Georgia and the Carolinas have been enduring. But a day without rain made me appreciate the sunny weather that is so often our lot. Plus, I can tolerate today's dampness all the more after yesterday's solar recharging. 

Today's drippy cloudiness puts me in a reflective mood. This is the penultimate post I'll write on this platform. On Tuesday, October 1, A Walker in the Suburbs moves to its new home. Stay tuned for more on this, including a link.

(Rainclouds in Canyonlands National Park)

Another Meta Post

Yesterday's post was meta, as I think about the blog itself in preparation for launching it on a new platform soon. This has been long in the works, and on my mind for years. 

When it comes right down to it, though, I'm finding it difficult to make the leap. Which reminds me of a central truth: change is difficult. This is as true for small decisions — turning right rather than left at the corner when I stroll the neighborhood — as it is for larger ones, like moving a blog of 14 years. 

But change is also essential. More and more so as the years move on, I've noticed. 

And so, this Blogspot home will soon be history. I'll keep you posted as I make the move — and I hope you'll make it with me. Don't worry. It will take a few days. These things always do. 

Monetization?

For class I'm re-reading the excellent novel Americanah by Chimamanda Ngozi Adichie. I'm highlighting many passages, in part for a presentation I'll give in a few weeks, but also because I enjoy the observations and the prose.

Yesterday I was highlighting for an entirely different reason, and I was laughing as I did. The main character of the novel, Ifemelu, a young Nigerian-American, starts a blog where she muses on racial topics. In short order the blog becomes so popular and so profitable that she's able to buy a home in Baltimore's Roland Park. 

Granted, Americanah was published in 2013, much earlier in blogging's history. I suppose its current earning power might be equivalent to that made by YouTube influencers. But still, I had to smile. I've never expected my blog to earn a penny — and it hasn't! 

Real Heroes

I've become a newspaper skimmer these days, checking headlines, reading a few stories and largely ignoring the rest. That I'm reading a hard-copy newspaper at all makes me a dinosaur, so the fact that I'm not always reading every article from start to finish is hardly jaw-dropping news. 

Sometimes, though, an article I only meant to skim draws me in to such an extent that I keep on reading even when I should be doing something else. 

Such was the case last night when, as I was heading to bed, a headline caught my eye: "The Canary." Maybe because I like birds, maybe because the photograph of a mineshaft piqued my curiosity since I spent some time in one last month. 

The article tells the story of Chris Mark, a mine-safety engineer and the winner of a "Sammie" award for excellence in public service. From the sound of it, no individual has done more to keep miners safe than Mark has. Not that he'd tell you this himself. The man is humble to a fault.

No way can I do this riveting story justice; you'll have to read it for yourself. But don't do it leaning over the kitchen counter, as I did. Brew yourself a cup of tea, settle into a comfy chair, and peruse it properly. If for no other reason, read it to remind yourself, as author Michael Lewis says, "how many weird problems the United States government deals with at any one time." And read it to remind yourself that real heroes still walk among us. 

(Graffiti in the Last Chance Mine, Creede, Colorado)

Alive on the Page

I've been reading Oliver Sacks' Everything in its Place: First Loves and Last Tales, a posthumous collection of essays by a master of that form. That he was a master of so much else — neurology, weightlifting, chemistry — ripples out from every page.

Sacks loved to swim, to walk in botanical gardens, to study ferns in Central Park, and the book contains short chapters on these topics and many more, easy explorations in the personal essay form. They move from the particular to the general, are informal and discursive. 

Sacks is most well-known for his book Awakenings, which chronicles his treatment of patients with a rare sleeping sickness, people who had missed whole decades of life then woke up and found themselves once again in the land of the living. 

Awake is how I feel after reading the work of this scientist and writer, gone almost 10 years but alive to me now thanks to this final, exhilarating collection. 

(Sacks' signature courtesy Wikipedia)

A Gathering of Writers

I spent Saturday with 200 other writers at the 2024 Washington Writers Conference. Some of us pitched ideas to agents. Others attended panels. A few of us made sure the day was running smoothly. But all of us were our own writerly selves, and that was, at least for me, why the day was such a tonic.

Writing is a solitary occupation, with much staring at blank pages and screens. It can also be accompanied by self-questioning and doubt: How can I say that better? Should I say that at all? Will anyone read this?

When writers come together they share those questions, which eases those doubts. 

In one of the day's more memorable lines, James Grady, author of Six Days of the Condor, said, "Writing is a cross between a heroin addiction and the sex drive. It's a hunger that drives us forward."

I looked around, and every head in the room was nodding yes.

(Above: Paul Dickson speaks to the crowd after receiving the Washington Independent Review of Books Lifetime Achievement Award. Dickson has written more than 60 nonfiction books. He encouraged attendees to support each other.)

Poetry in Prose

A salute in prose to National Poetry Month, 30 days devoted to verse, to words dense and encapsulated. It ends today. 

There is, as far as I know, no National Essay Month, no time set aside for the genre I know best, the one which at its root means "to try."

The essay is the right genre for me, earnest scribbler that I am, and it is, I think, good for many of us. At the very least it's a genre most of us know. Who hasn't written a letter or report? Or proofread a college essay?

And so, on this last day of National Poetry Month,  I'm thinking of one of my favorite essays. Read it if you have time — it only takes three minutes — and tell me, is it not poetry in prose?

The Stacks

I read on today's Writers Almanac this quotation from Harper Lee, author of To Kill a Mockingbird: "Instant information is not for me. I prefer to search the library stacks because when I work to learn something, I remember it."

The library stacks ... I remember them well. Mine were at the old University of Kentucky library, where I went to research "bureaucracy, the fourth branch of government," my paper topic for a high school class, Advanced Government and International Relations, taught by Colonel Coleman. (I can't remember his first name; and was the Colonel a military term or a Kentucky honorific?)

He was an inspiring teacher, and I plunged into the research for that paper as if it were cool water on a hot summer day. It was refreshing, liberating. Hours flew by as I took notes on index cards. 

I made many trips to the library, then wrote the paper longhand and typed it up the old-fashioned way — on a typewriter with Wite Out at my side. It was more than 40 pages, and my friends never stopped ribbing me for the comment, in red ink, at the end: "A scholarly study," Colonel Coleman had scribbled. 

"Oh yeah, it was scholarly all right. It put him to sleep!" they laughed. 

Maybe it did. But it woke me up. 

Weight of our Words

Last night a few of us gathered to stuff folders for an upcoming writers conference. Though so much is done digitally these days, there often comes a point where the written word has a weight. Not just the weight of the words' meaning, but an actual, tangible poundage. 

I felt this keenly when I was a magazine writer and editor, and I feel it still whenever I look through my publications, purging some, labeling and storing others. 

Last night we sorted leaflets and tucked them into folders, created name tags and tent cards. By the end of the evening, we had a tidy set of printed materials — and some heavy boxes to lift.

Raking Words

A new hard-copy journal is always a cause for celebration. I go through several a year, and lately I've been using up the ones I have stowed away in my closet. 

The new one is not my usual basic black. It's royal blue with a whimsical drawing of a formally-attired man (a butler?) raking "leaves" from the bountiful library around him. The drawing is titled Autumn.

Did I buy it for myself? Probably not. If it was a gift, then, I have a couple of people in mind who might have given it me me. They both have a good sense of humor.

Meanwhile, I'm thrilling to the journal's smooth paper and magnetic-close cover. I'm four pages in; I have a lot of raking still to do.

("Autumn" © Benoit, licensed by Riley Illustration, published by teNeues Verlag)

Bookmark Revolt

I noticed the telltale threads last night. There was one on the nightstand and another among the bedcovers. No doubt about it, my bookmark was shedding, losing its jaunty tassel. The store-bought item made of laminated pressed violets and violas — such a lovely way to mark my place in the latest journal I'm keeping — is going rogue. 

I'm not surprised at these shenanigans. The bookmark is plainly not pleased with an essay I just wrote, the essay in which I disparage store-bought bookmarks and mention how seldom I use them. In fact, I'm only using this one because my current journal does not have its own built-in bookmark. 

I could repair this marker. I could collect the slender threads and attempt to reattach them. But since I spent much of yesterday tied in knots (see below), I'm unlikely to do that today.

Does a bookmark know when it's been thrown under the bus? Apparently, it does.

Paean to Portability

Let us pause for a moment to praise portability. Here I sit in my kitchen rocking chair, laptop on lap (actually, laptop on lap desk on lap), able to sway back and forth to Beethoven's Seventh Symphony, now blaring from the radio, monitor soup simmering on the stove ... and also write this post.

This is nothing new. I've drug this trusty machine all over the world. But given that I came of age first on typewriters and later on desktop computers, the fact that I'm able to hop around the globe or the house, creating a workspace wherever I sit, is nothing short of amazing. 

What does portability provide? Ease and freedom. Today I'm appreciating them both.

(Sometimes the laptop is almost lost amidst the clutter that surrounds it.)

Desk Envy

I really can't complain. I may not have the desk of my dreams, but it's not bad. An apple-green table of a desk, only slightly dented and worn (a lopsided heart carved into the middle, a few splotches of salmon-pink paint in one corner, souvenirs of the girls who once used it).

True, it does not overlook the Atlantic Ocean, or the Front Range of the Rockies, or the harbor in Oban, Scotland. But it does have a lovely view of the backyard, the main street of the neighborhood and a corner of the woods beyond. 

My perfectly-fine desk doesn't keep me from having desk envy, though. And last night I experienced a full dose of it while watching the movie "Something's Gotta Give." It wasn't my first viewing of this film, but it was the first time I had desk envy watching it. 

Instead of focusing on the budding romance of Erica the playwright, I zeroed in on her writing space. The broad expanse of the (mahogany?) desk, the perfectly placed lamp. The windows! Oh, my gosh, the windows! And the door, open to sea breezes.

I keep telling myself it's just a movie set. But still...

Auld Lang Syne

It's Robert Burns' Day in Scotland and elsewhere as fans of the poet raise their glasses to toast the man and his verse, preferably at a Burns Supper, where haggis is eaten, strong drink is quaffed, and songs are sung (some of them not suitable for mixed company). 

I saw little of Burns at the Writers' Museum in Edinburgh. His room was being renovated. Instead, I looked at the exhibits of his compatriots, Robert Louis Stevenson and Sir Walter Scott. 

But today's festivities are a perfect excuse to write about Scotland, look through photos of the place, and honor one of the most famous of Burns's poems, Auld Lang Syne.

And there's a hand, my trusty fiere!
And gie's a hand o' thine!
And we'll tak' a right guid-willie waught,
For auld lang syne.

Artificial Intelligence

I'm thinking about artificial intelligence this morning, about what it knows and how it knows it, about its regulation, about the world we're creating with it. 

Because I've built a career on words, and bots can now string words together so well that most of us would be hard-pressed to tell the difference, I want to think there's a level of creativity, a depth of soul that human-generated content has locked in. But because bots use creative, soulful work to build their models, that's not necessarily the case.

Some writers work with AI to perfect their prose style. Others rail against it with sentences not as felicitously crafted as those they critique. Who will win this battle? That's a question we can't answer now — and won't be able to answer for a long time. 

(These books are filled with human-produced content. Will future books be able to say the same?)

For Charlie

Today I note the passing of Charlie Clark, journalist extraordinaire. I met Charlie our first month in Northern Virginia. His wife is a former colleague and dear friend of one of my best buddies. Charlie and I had writing in common, too, so when we bumped into each other, we traded tales. 

Charlie was an energetic reporter, a storyteller, a lover of words and community. He brought the two together in his "Our Man in Arlington" column for the Falls Church News Press, which he wrote for years. In his last few weeks he interviewed philanthropist David Rubenstein and covered a court hearing on the "missing middle" debate in Arlington. 

In addition to his day job and his column, Charlie wrote a novel, several books on local history, and a biography of George Washington's step-grandson. When I planned to leave the world of paid employment, I asked Charlie for advice. He encouraged me to take the plunge — and was a model of productivity right up to the end.  

Today I'm mourning Charlie and thinking of the verses he always included in his holiday card, funny couplets like "have more fun in 2021." He left us wanting more in 2024. 

Rest in peace, Charlie. 

Badge of Courage

Long before Shout, my go-to stain removal substance, and the little Tide pen I now carry with me on trips, there were stain removal charts. Mine is tacked up in the laundry room and is still my best source for wild and wacky — but often effective — stain removal tips.

From it I learned that the remedy for ballpoint ink stains is glycerine. I once had an old bottle of the stuff that worked wonders, saved a yellow linen shirt that I paid way too much for and was almost ruined by an inky gash across the front.

I used that old bottle until I couldn't anymore, but I regret to say that the new stock I ordered — proudly described as vegetable glycerine — isn't nearly as effective. I scrubbed and scrubbed and managed to mute the stains slightly, but the ink stain isn't gone ... and probably will never be.

I tell myself it doesn't matter. Ink stains are a badge of courage, not a blot of shame.

(A lovely painting — by Edmund Blair Leighton — but an ink stain ready to happen?)

Beacon

Fall is farther along here at home than it was out west. Only the Japanese maple is still brilliant with color. I've written about it before. 

Today, it seems a souvenir, a memento from the trip. For so many years my writing has been what I do around the edges of things, something I slipped into the day wherever it might fit. 

The last three weeks have given me an idea of what it's like when writing comes first. It becomes a glowing thing, a beacon, the last tree gleaming. 

Fresh

On a last walk before leaving, I find a new path to the brow.

Places are like that. Just when you think you know them, they open up and offer more. 

Yesterday I strolled out to Battery Stoddard, one of several battlements at Fort Worden. Only this time, I was on top of it rather than below. Seeing it — and the coastline — from a fresh angle. Kind of sums up the residency, too.

I write this post from a little room in Seattle, continuing the work I began two weeks ago. I left Fort Worden with two overriding thoughts: keep it going and keep it fresh. And that's what I intend to do.