Weight of our Words

Last night a few of us gathered to stuff folders for an upcoming writers conference. Though so much is done digitally these days, there often comes a point where the written word has a weight. Not just the weight of the words' meaning, but an actual, tangible poundage. 

I felt this keenly when I was a magazine writer and editor, and I feel it still whenever I look through my publications, purging some, labeling and storing others. 

Last night we sorted leaflets and tucked them into folders, created name tags and tent cards. By the end of the evening, we had a tidy set of printed materials — and some heavy boxes to lift.

Lessons for a Lifetime

He stood behind the lectern on one leg, resting the other, knee crooked, on his desk. I'm still not sure how he achieved this position without falling over, but somehow he did. His sleeves were rolled up, and his voice was husky. 

Toiling in the vineyards of academia can be a lot of work. But Dr. James Ferguson did that work, and because he did, legions of Hanover College students fell in love with The Magic Mountain and The Brothers Karamazov, with Faulkner and Bellow and Eliot. 

Dr. Ferguson, who died May 12, was the kind of teacher you get once in a lifetime — if you're lucky. Though I studied with professors who published more, whose names were more recognized in literary circles, Dr. Ferguson was the real thing: a man who loved the great books and thrived on helping others love them, too. 

The details of his life that I learned from his obituary — that he came from a family of Dust Bowl migrants who moved from Missouri to California and slept for a while in their car, that he served in Korea and got his Ph.D.  with the help of the GI Bill, that he took care of his wife, who had a chronic illness, and his mother, who lived to 102 — tell me that his didn't just teach the great books, he lived the great life. 

But these facts don't surprise me.  His respect for the written word seemed to flow from his whole being. What I took from him was to love literature not for where it could take me but for what I took from it—  lessons for a lifetime. 

("The Point" at Hanover College, where Dr. Ferguson taught from 1963 to 1992.)

Gains and Losses

Over the weekend I started reading about the 50th anniversary of the moon landing, which we will celebrate next month. One of the tributes was in Parade, which bills itself "the most widely read magazine in America."

I couldn't help but notice how thin this most widely read magazine is. And this got me thinking about what we have lost in the 50 years since humans first stepped foot on the moon — in particular the rich print culture that has been slowly dying during the last two (three?) of those decades.

I'm a print girl from way back, and though I quite happily ply my trade in a mostly-web way these days, I miss the heft and gravitas of ink on paper. I miss the smell of it and the feel of it, the weight of it in my hands.

I suppose you could draw a line from rocket technology to the waning of print. After all, the information age was in part launched by the Defense Advanced Research Projects Agency (DARPA). But that's not where I'm going with this.

I'm merely musing that our technological gains come with quality-of-life losses. And I don't want us to forget about them.

(A small printing press, from an exhibit at the Museum of the Written Word in May 2013.) 

Two Years

I started at Winrock two years ago today. It may have seemed an odd choice given my previous jobs in print journalism. But it's the words that matter, I decided, not the medium in which they're read. As for the autonomy of my reporting, I've decided that very few of us can say we're not beholden to someone or something, whether it be editors, advertisers or management.

Any job change requires soul searching, asking what really matters. And what matters for me is the work itself, the pace and the breadth of it, what it stands for. This organization has its heart in the right place. I believe in its goals and mission.

More than that, this work is perfect for the easily bored. At Winrock I have a huge canvas on which to paint. I've interviewed old and young, farmers and bank executives, solar technicians and victims of human trafficking. I write stories and talking points, ad copy and op-eds.

I usually write without byline and most of my output ends up online. But in the end, it's the stories that matter — that, and the writing of them.

Digital Trail

I'm not a big Facebook user. I remember posting vacation photos on the social media site once years ago — and realizing how much control I lost when I did that. I've been skittish about the site ever since.

But I give away data all the time, in ways great and small. The books I order, the words I write, the tweets I tweet — all leave a digital trail.  All I can do is make it a faint one.

Privacy has been on my mind these days, what with revelations that Facebook sold user data to Cambridge Analytica. I was amused to learn that an enterprising AP photographer was able to snap a picture of the talking points that Facebook's Mark Zuckerberg had in front of him at yesterday's congressional hearings.

The New York Times reports this tidbit: "Resign? Founded Facebook. My decisions. I made mistakes. Big challenge, but we've faced problems before, going to solve this one. Already taking action." And, if he had been asked if Facebook should be broken up, Zuckerberg was prepared to say: "U.S. tech companies key asset for America. Breakup strengthens Chinese companies."

 It's a fitting irony that Zuckerberg was outed not by social media but by old-fashioned media. Long live the camera ... and the pen!

(Savvy Facebook users might learn that this was my high school.)

A Woman, Writing

This morning I passed a woman in the lobby. She was sitting in a chair, writing in her journal.

Not tapping on her phone, not scrolling down the tiny screen. But engaged with the paper and the pen.

I noticed this not only because I believe in it and practice it, but because it is so rare.

When you address the page, the page does not talk back to you. It absorbs your words, the wise and the silly. It gives you space, a blank expanse without spell-check or word complete. For that reason, it is serene, even empowering.

Today is International Woman's Day. I just wrote and posted a story to celebrate it. But when I think of Woman's Day 2018, what I'll keep in mind is not a year of marches and #metoo. It's the quiet communion of writer and page. It's the image of a woman writing.

(Pensive, a painting by Edmund Blair Leighton)

Hooray for Analog!

Steven Spielberg's movie "The Post," which I saw yesterday, was a rousing paean to the press. But it was also a loving tribute to an analog world.

Reporters pounded out their stories on manual typewriters. Copyeditors used pencil on paper, making those marks that once seemed like a secret language to me — and are now a secret language to almost everyone. Typesetters set lines of type in hot metal, loaded slugs into plates. All the weighty, tangible things of a world left behind.

Now we live a digital life, ones and zeroes. We skitter on top of ice that we may at any time fall through. On Saturday, the people of Hawaii were on high alert for 38 minutes, thinking they were under imminent missile attack — a glitch made possible by one person making the wrong selection in a drop-down menu.

Are some things easier now? Yes, I type, my fingers tapping keys that don't have to be pounded, correcting errors with a click instead of a messy white  liquid. Is it just my imagination, though, or do the stakes seem higher in this unweighted, digital world?

When Minutes Fly

I've had many commutes in my life. The easiest was a stroll down the hall. The most inspiring was a walk through Central Park from the Upper West Side to Midtown Manhattan.

The one I have now involves a drive, Metro trip, bus ride and walk. I might be in as many as four vehicles on the way home, since I switch from one line to the other to avoid being squeezed in what is known here as the "Orange Crush" (for the Orange Line to Vienna, where I park my car).

All of which is to say, I have a disjointed commute. What's consistent about it is that, unless I'm standing up and it's too crowded to breathe, I have a book, journal or newspaper in hand. What stitches together the minutes and hours is ... ( no surprise!) ... the written word.

It's amazing how quickly this makes time pass, how easy it is to miss my stop. So today I'm grateful for the words that make the minutes fly. Don't know what I'd do without them.

Making it Official

Yesterday morning the plows made it through, so four days of newspapers landed in the driveway with a thud.

We weren't exactly information starved over the long weekend. I always enjoy the hyped-up local TV and radio news before, during and after a snowstorm. And there's the Capital Weather Gang, my go-to website with more analytics and blizzard models than you'd ever want to know.

Still, it was a relief to get the print product, to see this recent meteorological event dubbed one "for the ages". It was almost (not quite) as if seeing it in print meant it really, truly happened. At the very least it was verification and retrospection.

But, this being a lively and full house, the papers were soon scattered across the counter and coffee table. Drinks were set down on them, breadcrumbs shaken on them.  And more than anything else, they — their late arrival, the news they bore — became part of the memory of this moment.

Power of the Press

I saw the movie "Spotlight" with one of my favorite millennials. "It was a little slow," she said as we walked out, providing the perfect opening for a (groan) story.

Not that things were wonderful back in the days when you looked at old newspaper articles on microfiche (mine inevitably got jammed) and did research by looking at actual physical books (sometimes they actually physically were not there).

But watching the movie reminded me of the excitement of reporting a long, complicated story, something you'd immerse yourself in for weeks or months, something you'd begin to dream about or wake up thinking about.

It reminded me of the power of the press and the great profession of journalism, from which not only I (doing media relations at a law school) — but the whole country — has drifted. Few news organizations have the time and resources to devote to long-form investigative pieces. It's a sound-bite world, and we're all the poorer for it.


(Web offset printer, courtesy Wikipedia)

Millennials and Books

Talk about surprises, I almost missed one, tucked as it was beneath the Oscar photo. But the headline in yesterday's Washington Post was unmistakable: "Wired millennials still prefer the printed word." This according to textbook publishers, bookstore owners and the people themselves, those born 1980 and afterward — my kids, in other words.

They may text and snap-chat and send pictures by Instagram, but turns out they also like to read books. They learn better, they say, because there are fewer distractions. (Those who multitask while reading a printed book: 1 percent. Those who multitask while reading an e-book: 90 percent.)

A pilot study at the University of Washington found a quarter of students who were given e-textbooks for free still opted to buy the print version. Pew studies show the highest print readership rates among 18- to 29-year-olds.

That last statistic is hard to believe, but even if the data is slightly stretched, it's still heartening to think that those who come after us will thrill to the smell of a new book, will feel the heft of one in the hand, will appreciate its superior knowledge delivery system! Maybe the sky is not falling; maybe the good old codex will be around a bit longer after all.

Of Lions and Lambs

The wolf also shall dwell with the lamb, and the leopard shall lie down with the kid; and the calf and the young lion and the fatling together; and a little child shall lead them. 
Isaiah 11:6

 The program has been on my computer for a while, but I'm only just starting to learn it. InCopy works in tandem with the InDesign program. It protects design files while allowing editors to make changes directly in them.

While I don't plan to do away with paper proofs, learning to make changes myself frees up the designers and guarantees more accuracy.  It means I won't hesitate to remove the dash I just added in the last round of page proofs because I decided the comma was better after all.  It gives me a little more control.

More to the point, it brings words people and image people closer together. The lion may lie down with the lamb — which is how I thought the Bible verse read until about ten minutes ago, when I looked it up.

 

In Praise of Snail Mail

The cards are arriving, my favorite part of  holiday decor. They're displayed on the mantel and also in a contraption that holds the ones that don't stand up as well on their own, the photo greeting cards.

The cards are all colors, shapes and sizes. Some say "Merry Christmas," others say "Happy Holidays." Some are religious, others are not. Dogs on cards are big this year, with birds on cards a close second. Somehow, despite the wide variety, they always work together beautifully; there is harmony in the disarray.

As the world evolves, becomes more digital, fewer snail mail missives make their way to the house. But there is still a critical mass — and I treasure the cards I receive even more.

I'm just off the phone with a dear friend whose card will be late this year, she says. We chatted about why we refuse to go totally electronic in our communication (she still sends magazine and newspaper clippings!), about how much it means to receive a note that someone has taken the time to write, stamp and send.  I'll admit I'm a dinosaur — and I have the mantel to prove it.

Words on the Wing

Speaking of ink on paper, today we upload  the files of the magazine I've been working on these last few months. I've been thinking about the way it used to be, other magazines I've worked on and how those files were delivered — on boards via Fed Ex or (when we were too late for that) via a package delivery system called "Delta Dash." I used to send articles to magazines in hard copy, too.

It's much easier now, of course — write the article in a Word file, attach it and send it off with the click of a mouse or the touch of a finger. Upload whole magazines that way, too.

But the other way — the "old-fashioned" way — had a certain drama. There was the last-minute rush to the post office or Fed Ex, often with a child or two in tow. There might be minutes left before the place closed down. I would scribble my editor's name and address as quickly as possible, then stuff the manuscript in an envelope and send it off. This was always the day before the deadline, of course.

Now I push some keys and it's gone. I don't want to go back. Don't get me wrong. I'm just remembering.

Power of the Press

Yesterday I learned that Kentuckian Cassius Clay had a specially reinforced door and cannons mounted on the top of the building from which he printed his abolitionist newspaper. He was willing to step out and call for an end to slavery, but he was going to protect himself, too.

As it turned out, his office was ransacked — and his printing press sent packing to Cincinnati — while Clay was out of commission with typhoid fever.

Journalists who speak truth to power have never been safe. Neither now nor then. Sometimes the power of the press is best measured in the lengths people will take to silence it.

Paper Cut

Injuries incurred while meeting deadline:

Eye strain

Neck pain

Paper cut

Yeah, I know, the last one sounds silly. But, as I said to myself when I sliced my hand (and right on the life line, wouldn't you know),  paper cuts don't happen in a digital world. Carpal tunnel syndrome maybe, or some other repetitive stress injury, but not paper cuts.

They are, then, a dying malady. A problem that will (it's safe to say) plague us less in the future.

Say what you will about the printed word, that it's being eclipsed by tablets and smart phones and bottom-line bosses — it can still make us weep and make us bleed. At least for now, we continue to live in a tangible, touchable, tactile world.

By Heart

Apparently Socrates thought the written word was a step down from the oral tradition, which requires memorization, thought, the careful consideration of ideas. People who read, he says, "will seem to know many things, when they are for the most part ignorant." The written word offers "the appearance of wisdom, not true wisdom."

I can't say that I completely agree with the philosopher on this one. But I do know how easy it is to read a book and a few weeks later have absolutely no idea what it said. And I do appreciate the power of the remembered phrase, of learning a poem or a verse "by heart." Because the more you savor a particular combination of words, the more you love it. And because memorization liberates. Once we know the words, we carry their wisdom around with us; we are freed from the printed page. Being able to recite a few lines of poetry or prose, if only silently, lets us savor the rich thoughts of great writers and thinkers any time, any place. I wrote an essay about this a long time ago. To read it, follow this link: http://www.csmonitor.com/1990/1009/umem.html